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The focus of the film is two, young aspiring writers and childhood friends (Phillip and Erik). We begin with the submission of their manuscripts and through narration we see their visions of the future--yet as quickly as that dream is viewed it disappears and reality returns. Only one manuscript is accepted. Happy relationships shatter like glass. Both struggle to find direction. They dream of Paris; Phillip even returns with ex-girlfriend Kari but even "the city of lights" can't lift some of the gloomiest scenes in the movie. Paris is just an attempted escape, but we always carry our emotional baggage with us when we pack our luggage and there's no vacation from ourselves.
The film's style has many nods to French New Wave, but maintains a distinct voice. Time is fluid. We skip between past, present, and projections of an uncertain future. Emotions fluctuate. Pure joy is followed by despair and chased by ennui of crowded punk rock shows, shallow conversations, and cigarettes. The end is much like the beginning--an abrupt ambiguous mix of present and future projections that ends like an unfinished novel.
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CONVERSATION